“New Worlds”: A Biased Look at the 1680s

Many of you know that I was eagerly anticipating this programme ever since I heard about it. I am always so pleased when filmmakers decide to set a story in the 17th-century. The more programmes and films that are made about this time period will make it as popular as the Tudors are. I thought The Devil’s Whore was beautifully done, powerful, moving, even though a bit left-wing (I believe in a via media). All photos below from Channel 4.

As soon as New Worlds began last night, I noticed it had a very strong bias against the Stuarts; so I knew it was going to be a rough ride for me. Why? Well, this programme made Charles II out to be ruthless, cruel, “tyrannical” and generally, a “baddie.” I dread to think about how many people probably turned off their TVs last night thinking that the Merry Monarch was a horrible despot.

Yes, Charles II had an enormous sexual appetite, but from all accounts he was pretty laid back. Yes, he did go after the Regicides, but that was at the beginning of his reign, not in the 1680s (by then he was “old” and not really doing so much). The Regicides had murdered his father – anyone would want justice for the murder of their beloved family member, but not ONCE was this fact mentioned.

Some of the very Pro-Republican sentiment was found in the dialogue:

“the tyranny of Charles Stuart”

“under the heel of Charles Stuart”

“I would have a world free of tyrants.”

“This hand, an enemy to tyrants.”

etc, Evil Stuarts, monarchy is bad, etc, etc…

Generally, there was a hell of lot of talk about tyrannical Stuarts and a lot about the glories of those who were the Regicides. Therefore, very one-sided.

I live-tweeted my thoughts with other 17th-century historians, and we were all of the same opinion about this. One even said, “I’m fed up with the anti-Stuart vibe” and I completely agreed with her. There is no need for this – especially as MOST people still preferred having a king to a republic! Did writers not understand that the Republic was a failed experiment? By the end of it (the republic was itself tyrannical and oppressive) people were crying out for the return of monarchy.

The storyline in America wasn’t very strong, and I didn’t care about any of the characters there. I wasn’t moved by them at all and I kept wishing the story would go back to the more interesting plot in England. I’m hoping this will change in later episodes.

With regard to the Colonel Blood and the theft of the Crown Jewels, again, the programme made it look like the government was really nasty, and make one of the other characters spy on a main character in order to save Colonel Blood’s life. Oh dear. Colonel Blood was famously pardoned by Charles II, who seemed to have found it amusing, and Blood was also given money (and land, too, if I remember correctly?) by Charles II. Where’s the cruel tyrannical Stuart there?

From Restoration England 1660-1688 by Robert M. Bliss:

“In the end, only thirteen persons paid with their lives the price of restoration, although some were imprisoned and the estates of others living and dead were attainted. Moreover, it was made a crime for any person to reproach another for his actions between 1637-1660.”

Also, having young women running about in front of men wearing only their shifts (underwear, really) would not have been acceptable!

I like Jamie Dornan and his previous work in The Fall and Marie Antoinette, but I didn’t like his character in this. To be honest, most people shouldn’t admire the Levellers because they were an extremist group. Extremes are generally to be avoided because people inevitably get hurt.

Jeremy Northam plays Charles II, and well, he’s awesome in everything he’s been in, though the Charles of New Worlds doesn’t seem remotely like the real Charles. Angelica Fanshawe’s daughter, Beth, is played by Freya Mavor (who I remember from The White Queen, in which she played Elizabeth of York) and was the only one of the lead characters I cared about, which surprised me.

The one thing that I did like (besides the beautiful locations and the time-setting, of course) was Tom Payne as the Duke of Monmouth. He was perfect as the Duke of Monmouth!

I really enjoyed how the writers incorporated a true event into the drama. During Monmouth’s Progress in 1680 (which I detail in my book, His Last Mistress), Monmouth was at Hinton Lodge when a woman suffering from scrofula named Elizabeth fell to her knees before Monmouth and touched him (for it was believed at this time that being touched by a King (or the King’s son) would cure this disease) and he was kind to her and replied, “God bless you.” I thought it was lovely to finally see this interaction dramatised.

I also enjoyed how they spoke about the Black Box rumour. Those of you who know about Monmouth’s story will know about the box believed to have contained the marriage lines of Charles II and Lucy Walter, Monmouth’s mother. Monmouth’s supporters often brought up this subject because it would prove Monmouth’s legitimacy. The box was never found, though there is a story that a later Duke of Buccleuch found the marriage certificate and promptly burned it.

I might watch the next episode because I’m hoping the writers were able to see more than just the radical viewpoint. But I believe this isn’t about the 17th-century, this programme smacks of a modern political agenda. There shouldn’t be a modern agenda in a historical drama, not in my opinion at least.

To sum up, this was nowhere near as good as The Devil’s Whore, but I’m hopeful the next episodes will be better. A more well-balanced look at the 1680s would have been immensely enjoyable, but as it stands, it is giving viewers the wrong impression of the time.